Sidebar Menu
the Electric Collage visual music light show __________ Music for Your Eyes __________
  • Home
  • Producing
  • Concerts
  • Imagery
  • End of Era

Producing - old copy

Producing the light show at a concert was an exciting experience. It was a jam session. We got very involved with the music and the concert. Our media was as much a part of the show as every musical note. The visuals flowed naturally for every song and we instantly knew what mix and mood we wanted to convey as each song started. The synergy created by the musicians and the light show was one that is impossible to describe in words. You had to be there.

The liquids were just a piece of the collage on the wall and mostly used for blending the various pieces of media and to add motion to the screen. I depended on them to be very accurately manipulated and that is why I did that part myself during the show. Over time I spent a lot of time developing the formula to produce the liquids. Our colors were always brilliant and full of different hues as you can see on this page in one of our trademarked 4 color liquid projections.Liquid Projections Visual Music Light Show

Using the multiple projectors and custom control panel we could mix much more complex images than you saw on television or in motion pictures. 

Our images were multi layered, windowed and very complex. Plus they were in real time and spontaneous. We often had many different story threads going on the screen. However, it was our intent not to distract from the music but to enhance it. It took a lot of instinct and skill to use all those special effects without being a distraction. But as artists were had no problem blending the visual music with the aural music and building a harmonious experience for the audience.

After each show new ideas soon emerged for new visuals. Some experiments, some production tests, then a new show was underway before we had a chance to take a breath. Constant evolution. Over time we produced thousands of different visualizations on the screen. We did not need to go to any imaging extreme to have an interesting show. No shock stuff, no porn. Just pleasant images. Since we were the counter culture's TV channel some of the images were from current events. We kept the show interesting and evolved it to a new level for each production.

By the end of the era we had mastered the technology. We were looking at television as a new medium but we could not produce the show using analog TV technology of the times. The essence of the show was organic from human manipulation to the light on the wall.

Previous article: The Electric Collage: A 1960s Fusion of Light, Music, and Culture Prev Next article: Concerts Next

Producing: Turning Sound Into Light

Electric Collage didn’t “run a light show.” They produced a visual performance as alive as the band itself. Every show was physical, improvised, and wild—layering liquids, film loops, lens distortions, strobes, and hand-controlled color to create visuals that felt like the music looked.

Unlike most light shows of the era, Electric Collage produced visuals for the main festival stages. Atlanta Pop ’69. Dallas ’69. Atlanta Pop ’70. When 300,000+ fans watched bands tear into their sets, Electric Collage blew open the night with evolving, hand-mixed imagery.

Production wasn’t automation—it was art. Two or three operators performed behind the projectors like musicians, responding to solos, drum breaks, and crowd energy. Every moment was unique. Unrepeatable. Unfiltered.

Today, the term is “immersive media.” Back then, it was simply Electric Collage.

A Legacy Written in Light

Electric Collage began during a cultural shift—when music broke boundaries, crowds exploded, and festivals became temporary cities. Visuals needed to evolve too, and Electric Collage stepped into that gap with a brand-new idea: visual music.

From 1968 onward, the team experimented with analog projection techniques that hadn’t even been imagined in commercial entertainment. Liquid projections. Multiple stacked projectors. Chemical reactions as art. Modified Kodak Carousel rigs. Custom-built lenses.

By 1969 they were headlining the South’s biggest festivals—not as performers, but as the force transforming nighttime concerts into psychedelic, cinematic experiences.

Electric Collage worked the stages of:

  • Atlanta Pop Festival I – 1969
  • Dallas International Pop Festival – 1969
  • Atlanta Pop Festival II – 1970

No side stages. No free tents. Only the main events.

What they created became a blueprint for modern VJ culture, immersive installations, and even today’s concert LED design. Before technology caught up, Electric Collage was already doing it—by hand.